Directions to Festival venues:

The Saratoga Film Forum
The Film Forum is located at 320 Broadway in downtown Saratoga Springs, at the corner of Broadway and Spring Street. If coming from the south, Take Exit 13N off I-87 North and take Route 9 North into downtown Saratoga Springs. Route 9 turns into Broadway.
If coming from the north, take Exit 15 off I-87 South and take Route 50 South into downtown Saratoga Springs. Route 50 turns into Broadway.
Arts Center map


The Tang Teaching Museum and Art Gallery, Skidmore College
If coming from the South, take Exit 13 off I-87 North and take Route 9 North into downtown Saratoga Springs. Just north of City Center, Broadway veers off to the right, and North Broadway heads straight north. Go straight onto North Broadway about 1/2 mile until you come to the College’s main entrance, and follow the signs to the Tang Museum.
If coming from the north, take Exit 15 from I-87. Follow Route 50 toward the city of Saratoga Springs, turning right onto East Avenue. Make another right turn where East Avenue intersects with North Broadway and proceed north about a quarter of a mile to the College’s main entrance, and follow the signs to the Tang museum.
Tang Center map

Focus on Filmmakers
Jonathan Demme

Born in Baldwin, NY, and raised in Miami, filmmaker Jonathan Demme started out his career intending to be a veterinarian. A stint as a film critic for a small local newspaper led to an introduction to producer Joseph E. Levine, who gave him a job as a publicist. Over the next few years, he bounced from studio to studio and was ultimately given the opportunity to write a screenplay for Roger Corman's production company-which, written with Joe Viola, was a retelling of Rashomon as a biker film, called Angels Hard As They Come. Soon, Demme was given the opportunity to direct another Corman production, Caged Heat. Demme's big break came in 1980, when he was offered the chance to direct Melvin and Howard, based on the true story of Melvin Dummar, who claimed to have once given Howard Hughes a ride and was later named beneficiary of $150 million in Hughes' will. Demme's films have included the Talking Heads concert film Stop Making Sense, Spaulding Gray's monologue Swimming to Cambodia, the blockbuster (and Oscar-winning) Silence of the Lambs (1991), the equally blockbusting and Oscar-worthy AIDS drama Philadelphia, Beloved (based on the Toni Morrison novel), and Storefront Hitchcock, a concert film featuring the brilliant British folk-rocker Robyn Hitchcock. As part of the Saratoga Film Festival: The Sights and Sounds of Haiti, we are screening Demme's 2003 documentary The Agronomist.

Focus on Filmmakers
Raoul Peck
Raoul Peck was born in Haiti in 1953. When he was 8 years old, he and his parents fled the Duvalier dictatorship and Peck was raised in Congo, following the murder of that country’s first elected leader, Patrice Lumumba. Educated in Haiti, Congo, France, and Germany, Peck studied engineering and economics at Berlin University, and has worked as a journalist and photographer. In 1988, he received a degree in film from the Berlin Academy of Film and Television, and he subsequently began developing short experimental works, socio-political documentaries, and feature films. His feature L’homme sur les quais (The Man On the Shore) was the first Haitian film to be released in theatres in the United States, and was also selected for competition at the 1993 Cannes Film Festival. Peck divides his time between Europe and the United States and in the 1990s he served as Haiti's Minister of Culture. His other films have included Lumumba (about the slain Congolese president), Haitian Corner, and Falling Bodies (Corps PlongÈs).

Focus on Filmmakers
Joe Brewster
Joe Brewster is a psychiatrist who studied medicine at Harvard University and currently works in Harlem Hospital in New York City. Brewster's works have been honored with many awards internationally. His first feature film, The Keeper, distributed by Kino International, was featured at theSundance,Toronto, FESPACO, and London film festivals. His feature directing debut earned him a 1997 Paul Robeson Award, a Best Feature Film
prize from the Black Filmmaker's Hall of Fame, a National Black Programmer's
Consortium Audience Award as well as finalist nomination in the Someone to Watch category at the 1997 Independent Spirit Awards. His second feature film, The Killing Zone, has earned Best Feature Film at Black Filmmaker's Hall of Fame, a best actor award at New York's Vision Fest, a
Revolution Award for socially conscious filmmaking from the Imagenation Film Festival/Apollo Theater in New York, Best Feature Film, and a Special Jury Prize at the esteemed Lake Placid Film Forum. Brewster is currently also co-directing with his filmmaker wife The Dalton Experiment, a feature-length documentary about affirmative action at the prestigious Dalton
School in New York City. The film is scheduled to be shot over a 12-year period.

 

 
 

 

 

 

Haiti: Moving Images
presented by

Skidmore College

&

The Saratoga Film Forum

 

Schedule of Events

Thursday, September 30
The Saratoga Film Forum:
Special Opening Night Gala!
7 p.m. Opening Reception


Join us as we kick off the second Saratoga Film Festival- Haiti: Moving Images. Wine and cheese will be served. The event will include greetings from festival sponsors, and an introduction to the opening film, Jonathan Demme’s The Agronomist.

8 p.m. The Agronomist
From Academy-Award winning filmmaker Jonathan Demme (The Silence of the Lambs, Philadelphia, Beloved), The Agronomist is a compelling documentary that tells the story of Jean Dominique, a journalist, freedom fighter, and Haitian national hero. As owner and operator of his nation’s oldest and only free radio station, Dominique was frequently at odds with Haiti’s various repressive governments and spent much of the 80’s and early 90’s in exile in New York. Dominique fought tirelessly against his country’s overwhelming injustice, oppression, and poverty—until his shocking and still-unsolved assassination in April, 2000. The Agronomist compiles more than a decade’s worth of material—including extensive original interview footage conducted by Demme over the years—to celebrate this dynamic man and his legacy.†“A thoroughly absorbing and deeply affecting portrait of an extraordinary leader” (Ann Hornaday, Washington Post). In Creole, French and English with English subtitles. (Rated PG-13 for some violent images and brief nudity.)
PG-13, 120 min., USA, Dir. by Jonathan Demme, 2003
$6 general admission/$4 Film Forum members. Free to Skidmore students (with ID).
There will be an encore screening of The Agronomist on October 2 at 5 p.m.



Friday, October 1

Tang Teaching Museum and Art Gallery:

4:30 p.m. E Pluribus Unum
An energetic documentary that celebrates two contemporary Haitian sculptors, EugÈne AndrÈ and Celeur Jean Herard. Inspired by their native Voudou culture and Haitian history, they use recycled materials to transform an area of Port-au-Prince into an informal museum and vibrant workshop (which they have named “E Plurinbis Uinum”—“out of many, one”). The soundtrack is composed of snippets of traditional Voudou songs mixed with ambient sounds.
In Creole with English subtitles.
Not Rated, 25 min., Haiti/France, Dir. By Maxence Denis, 2001
Free Admission.


5 p.m. Dreamers (Dr¯mmere)
Jurgen Leth is one of the leading figures in Danish cinema, and in Dreamers, he turns his eye to Haitian art and artists. Shot over a 20-year period, Leth’s documentary profiles a wide variety of artists, who are portrayed as storytellers, mystics and, yes, dreamers, whose attitudes and works are characterized by not only talent, creativity, and, imagination, but also optimism, a quality that has bestowed on them the title “masters of the naÔf.” Among the artists profiles are Andre Pierre, Philome Obin, Prospere Pierre Louis, Louisiane Saint-Fleurant and Salnave Philippe-Auguste.
Not Rated, 45 min., Denmark, Dir. J¯rgen Leth, 2002
Free Admission.


5:45 Open Forum on Haitian Art

The screening of Dreamers is followed by an Open Forum with Jerry Philogene at the Tang Teaching Museum and Art Gallery.
Jerry Philogene, Visiting Lecturer in the American Studies Department at Skidmore College, will give a brief presentation on the film and the history of Haiti’s art scene. Ms. Philogene is completing a dissertation titled National Narratives and Caribbean Identities: Haitian and Jamaican Modern Art
1930-1960
Free Admission.


Friday, October 1
The Saratoga Film Forum:


8 p.m. Man By The Shore (L’homme sur les quais)
A political drama set in Haiti in the 1960s during the reign of FranÁois “Papa Doc” Duvalier, The Man On the Shore is told through the eyes of an eight-year-old girl (and narrated by her older self looking back some 30 years later). Through Sarah, the horrors of political oppression and tyranny are depicted not as dispassionate archival documentary footage, but by their impact on one particular family. As the story unfolds, we learn that Sarah (Jennifer Zubar) and her two sisters have been sent to live with their grandmother after their father—­a military officer too weak to fight Duvalier's henchmen (the Tontons Macoutes)—is forced to flee the country with his wife. The girls seek shelter in a local convent, but even that holy place is no sanctuary from Janvier (Jean-Michel Martial), the vicious and corrupt leader of the local Tonton militia.
Not rated, 105 min., France/Canada, Dir. Raoul Peck, 1993
$6 general admission/$4 Film Forum members. Free to Skidmore students (with ID).



Saturday, October 2
Tang Teaching Museum and Art Gallery:

NEW JUST ADDED

Writer-director Raymond Cajuste comes to the Film Forum to screen and discuss his film Voyage of Dreams.

12 noon Voyage of Dreams

A documentary on the plight of Haitian refugees coming to US shores. Narrated by Ossie Davis and director Raymond Cajuste, "Voyage of Dreams" tells the tragic story of the Haitian refugees, the so-called boat people. The film starkly documents why they left their homeland, their perilous voyage at sea and their experience with American justice. In 1984, "Voyage of Dreams" won the CEBA Award (Communication Excellence to Black Audiences) in the category of Independent Productions. Not rated, 30 min., USA/Haiti, Dir. Raymond Cajuste, 1984 Free Admission.


1 p.m. Hati: La Fin des ChimËres
Shot during the celebration of the Haitian Bicentennial in early 2004, this documentary (whose title translates to “the end of the chimeras” or “end of the idle fancies”) encapsulates 200 years of Haitian history and the problems that have plagued the nation since it won its independence from France. The lessons of Haiti’s history are presented as a backdrop against which to view recent events, in particular the year in power and subsequent exile of Haitian president Jean Bertrand Aristide.
Not rated, 70 min., France/Haiti, Dir. Charles Najman, 2004
Free Admission.


2:30 p.m. Bonjour La Rezone
Documentary that uses the rituals of preparing the traditional Haitian New Year’s Day “soupe giraumou” (squash soup) to chronicle the experiences of a group of expatriate Haitians living in Paris.
Not Rated, 56 min., Haiti/France, Dir. Elsie Haas and Nixon Amilcar, 2004
Free Admission.


3:30 Children Of Shadows
In Haiti, dire economic circumstances often require parents to give away their children—sometimes as young as four years old—to other families to work as unpaid domestic servants, or slaves. The affecting documentary Children of Shadows follows these children (called restavek children) as they go through the endless daily cycle of cooking, washing, sweeping, mopping, shopping, and running errands. In a series of heartbreaking interviews, the children speak openly about the lives they are forced to lead, while their “aunts” (their adoptive caretakers) speak openly and proudly of the backbreaking labor their restaveks d for them. Interviews with peasant families shed light on the appalling conditions that force these parents to give away their children. Children of Shadows is narrated entirely by the people themselves in their native Creole (with English subtitles).
Not Rated, 54 min., Haiti, Dir. Karin Kramer, XXXX
Free Admission.


Saturday, October 2
The Saratoga Film Forum:


5 p.m. The Agronomist—Encore Screening
From Academy-Award winning filmmaker Jonathan Demme (The Silence of the Lambs, Philadelphia, Beloved), The Agronomist is a compelling documentary that tells the story of Jean Dominique, a journalist, freedom fighter, and Haitian national hero. As owner and operator of his nation’s oldest and only free radio station, Dominique was frequently at odds with Haiti’s various repressive governments and spent much of the 80’s and early 90’s in exile in New York. Dominique fought tirelessly against his country’s overwhelming injustice, oppression, and poverty—until his shocking and still-unsolved assassination in April, 2000. The Agronomist compiles more than a decade’s worth of material—including extensive original interview footage conducted by Demme over the years—to celebrate this dynamic man and his legacy.†“A thoroughly absorbing and deeply affecting portrait of an extraordinary leader” (Ann Hornaday, Washington Post).
In Creole, French and English with English subtitles. (Rated PG-13 for some violent images and brief nudity.)
PG-13, 120 min., USA, Dir. by Jonathan Demme, 2003
$6 general admission/$4 Film Forum members. Free to Skidmore students (with ID).

Writer-director Joe Brewster comes to the Film Forum to screen and discuss his film The Keeper.


8 p.m. The Keeper
The Keeper is writer-director Joe Brewster’s debut film, tackling issues of racial identity and moral responsibility. Giancarlo Esposito (Do The Right Thing) stars as Paul Lamont, a corrections and law student officer disillusioned by the conditions at the grim Brooklyn House of Detention. Convinced of the innocence of Jean Baptiste (Isaach de Bankole), a Haitian immigrant accused of rape, Lamont posts his bail and gives him a place to stay—despite the objections of his wife (Regina Taylor). As Baptiste insinuates himself into their lives, the Lamonts discover that no good deed goes unpunished. Brewster himself is a psychiatrist-turned filmmaker, who worked for a time in a Brooklyn prison.
Not Rated, 92 min., USA, Dir. Joe Brewster, 1995
$6 general admission/$4 Film Forum members. Free to Skidmore students (with ID).



Sunday, October 3
Tang Teaching Museum and Art Gallery:


12 p.m. Black Soul (¬me noir)
Encapsulating several hundred years of black history in 10 minutes, the animated short film Black Soul provides a fragmented, impressionistic, and yet often hauntingly beautiful, view of the African-American and African-Canadian experience. Black Soul incorporates images of African ancestry, as well as the iniquities of slavery and discrimination, and, ultimately, a celebration of creativity. Black Soul was the winner of the Golden Bear Award for Best Short Film at the Berlin Film Festival and Best Animation Film at the Santa Barbara Film Festival.
Not Rated, 10 min., Canada, Dir. Martine Chartrand, 2000
Free Admission.

12:10 p.m. Roussan Camille
This biographical documentary provides both a profile of the life of famed Haitian poet Roussan Camille as well as a portrait of—and homage to—Haitian capital Port-au-Prince in its 1930s heyday. Mario Delatour’s 52-minute documentary had its World Premiere at Montreal’s “Vues d’Afrique” in April 2003.
In Creole and French with English subtitles.
Not Rated, 52 min., Haiti, Dir. Mario Delatour, 2003
Free Admission.

1:00 Panel Discussion
Discovering Haitian Film
Following the screening of Roussan Camille, Skidmore College will present a panel discussion at the Tang Teaching Museum and Art Gallery. The panel will explore cross-cultural dialogues as they are represented in Haitian films, taking into account representations of race and multiculturalism. Panelists will include Eloise Briere from SUNY Albany, who organized the Haitian Film Festival at Paige Hall last Spring. She is the Undergraduate Program Director for French Studies and the Chair of the Department of Literatures Languages and Cultures. Other panelists include MichËle Stephenson, film director and curator of the NYU Haitian Film Festival.
Free Admission.


2:00 p.m. Of Men and Gods (Des hommes et dieux)
Of Men and Gods is a compelling documentary that explores the lifestyles of homosexuals and transvestites living in Haiti, and especially their relationship with the Voudou religion, which has no prohibitions on the practice of homosexuality. Many gay Haitians find in Voudou an explanation of their sexuality, and regard themselves as “children” of the gods (especially Erzulie, the Goddess of Love) and are therefore protected by them.
In Creole with English subtitles.
Not Rated, 52 min., Haiti/France, Dir. by Anne Lescot and Laurence Magloire, 2002
Free Admission.



Sunday, October 3
The Saratoga Film Forum:

3:30pm Port-au-Prince Is Mine
This documentary about Port-au-Prince, the capital city of the Republic
of Haiti, depicts a portrait of a beleaguered city which has been the victimof overpopulation, environmental degradation, and lack of urban
infrastructure.
57 mins., Dir. Rigoberto López, 2000
Free Admission.
.

4:30pm-MEET THE PRODUCER:Frantz Voltaire
Frantz Voltaire, a distinguished political scientist, publisher,
producer, filmmaker and Director of CIDIHCA
(Centre International de Documentation et d'Information Haïtienne,
Caraïbéenne et Afro-Canadienne) will discuss the film Port-au-Prince Is
Mine and answer questions following the film.
Free Admission.


5:30 p.m. The Comedians
With a screenplay adapted by Graham Greene (from his own novel), and set in Port-au-Prince, Haiti, during the reign of “Papa Doc” Duvalier, The Comedians stars Richard Burton as Brown, a hotel owner trying to find a buyer for his hotel. Mr. and Mrs. Smith (Paul Ford and Lillian Gish) are a pair of hotel guests who want to open a vegetarian center in Haiti. Major Jones (Alec Guinness) is an arms dealer claiming a military background who is put in jail almost immediately upon entering the country. Temporarily freed, Jones seeks asylum in the embassy of South African ambassador Pineda and his wife (Peter Ustinov and Elizabeth Taylor). When Jones threatens to interfere in an affair that Brown is having with the ambassador’s wife, Brown taunts Jones into boasting that he could overthrow the government—which he then sets out to do. Not unexpectedly, he is killed and, feeling contrite, Brown assembles a ragtag band of rebels who hope to overthrow the Tontons Macoutes. James Earl Jones, Cicely Tyson, Raymond St. Jacques, and Roscoe Lee Browne round out the cast.
Not Rated, 150 min., USA/France, Dir. Peter Glenville, 1967
$6 general admission/$4 Film Forum members. Free to Skidmore students (with ID).

8 p.m. Man By The Shore —Encore Screening
A political drama set in Haiti in the 1960s during the reign of FranÁois “Papa Doc” Duvalier, The Man On the Shore is told through the eyes of an eight-year-old girl (and narrated by her older self looking back some 30 years later). Through Sarah, the horrors of political oppression and tyranny are depicted not as dispassionate archival documentary footage, but by their impact on one particular family. As the story unfolds, we learn that Sarah (Jennifer Zubar) and her two sisters have been sent to live with their grandmother after their father—­a military officer too weak to fight Duvalier's henchmen (the Tontons Macoutes)—is forced to flee the country with his wife. The girls seek shelter in a local convent, but even that holy place is no sanctuary from Janvier (Jean-Michel Martial), the vicious and corrupt leader of the local Tonton militia.
Not rated, 105 min., France/Canada, Dir. Raoul Peck, 1993
$6 general admission/$4 Film Forum members. Free to Skidmore students (with ID).